My Bookmarks
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Most Popular
- Joe Pass – Original Blues in G
- Joe Pass – Do Nothin’ Till You Hear From Me
- Herb Ellis – Gee Baby, Ain’t I Good To You
- Grant Green – Falling In Love With Love
- Charlie Byrd – White Christmas
- Tony Mottola – Close To You
- Chet Atkins – Autumn Leaves
- Earl Klugh – Alice In Wonderland
- Barney Kessel – A Foggy Day
- Baden Powell – ‘Round Midnight
- Al Di Meola – Michelle ♫
- Ed Bickert – Angel Eyes
In the Interactive Library you will find all of my transcriptions in ‘Soundslice’ format. ‘Soundslice’ allow you to slow down, transpose, loop sections and adjust just about any aspect of a transcription. It is super easy and convenient to use.
(Please note that the ‘Interactive Library’ section is under construction, I will be adding all of my +/- 600 transcriptions before the end of 2024)
Recent Transcriptions :
The ‘Practice Room’ is a new section where you will find ‘Interactive Backing tracks‘ and Lead Sheets. As for the interactive transcriptions it is possible to Slow down, transpose and loop sections of the backing tracks.
(Please note that the ‘Practice Room’ section is under construction, I will be adding more backing tracks and lead sheets every weeks)
Recent Backing Tracks :
Hey there! Why not talk about comping… the way too often forgotten of our practice sessions. The coolest thing about comping is that it might get you a job if you are good at it! Although I have no idea what I am talking about since I never got any jobs for my comping abilities, but that’s what everyone say so it might have some truth into it….. Read More
In this lesson I will explain my favorite picking style. It is how I am picking most of the time except when a particular style or sound is needed. This picking style is used by some of the most notable guitarists like Pat Metheny and Mike Stern, although, not necessarily 100% like I am doing but very similar. It consist of putting together different picking techniques together that will imitate horn phrasing, especially saxophone phrasing… Read More
The idea when making these exercise was to develop my ‘Chicken Picking’ phrasing for improvisation and free myself from chaining ‘licks’ over and over. The exercises consist of 4 bar lines made from various melodic motifs connected together. Motifs are taken from different country/bluegrass musicians playing on different instruments…. Read More
Learning Jazz improvisation is a colossal task especially for musicians with a non Jazz background. I see a lots of guitarists that are discouraged and don’t see the lights at the end of the tunnel. I can perfectly relate to how they feel. Coming from a non jazz background myself I had to completely re-think how I was approaching music. I have basically fell in every possible traps and have lost a lots of precious timee…. Read More